Performance “Transplant: Healing in the Mapuche Diaspora” by Neyen Pailamilla (19.03.2026)

Neyen Pailamilla Performance in Zürich, 28.6.2025 ©Thomas Lenden

We warmly invite you to join us on 19 March 2026 for a special program: At 4 pm, artist Neyen Pailamilla will present the performance Transplant: Healing in the Mapuche Diaspora in the Botanic Gardens Bonn. In Neyen’s work, plant knowledge becomes a lived, embodied, and spiritual process unfolding between humans, plants, bodies of water, […]

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Panel discussion: German Colonialism and its first Genocide (11.03.2026)

As Europe rethinks its foreign policy amidst shifting global political relations, one question remains central: Can cooperation succeed without confronting colonial history? This panel takes Germany’s first genocide of the 20th century in Namibia as a starting point to explore how colonial legacies continue to shape today’s global crises, from geopolitics and inequality to diplomacy […]

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Paper publication by our former Argelander Academy Fellow Dr Judy Marcela Chaves-Agudelo

© Visions for Sustainability

Our former Argelander Academy Fellow, Dr Judy Marcela Chaves-Agudelo, published a paper in which she worked during her stay: Chaves-Agudelo, J.M. (2025). Natures, territories and the Breath of Life: The maintenance of Jagɨyɨ or Jafaikɨ among the Murui people in the present, Colombian Amazon. Visions for Sustainability, 24, 411-426. https://doi.org/10.13135/2384-8677/12799 Abstract The Murui people’s concept ofJagɨyɨorJafaikɨsignifiesBreath […]

Co-Curating the 18th German International Ethnographic Film Festival

©GIEFF, 2025

Jun.-Prof. Dr. Julia Binter and Yohannes Mekonnen, Global Heritage Lab’s Visual Anthropology Fellow, have joined the selection committee of the 18th German International Ethnographic Film Festival (GIEFF), co-curating this year’s program. Among this year’s themes are heritage and decolonial methods, alongside films by directors from Africa, Latin America, Asia, the Pacific and Europe. These strands […]

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Conference in Paderborn: Opening Spaces – Mediating Missionary Collections through Artistic Methods (12-14.01.26)

Loo Nascimento with a balangandã from her historical collection. ©Yohannes Mekonnen and Rodrigo Xavier, 2025.

What is the epistemological potential of bringing artists and scholars together to research fashion and its legacies of Christian mission? Jun.-Prof. Julia Binter discusses this question with regard to the project “Interwoven Dependencies. Redressing Fashion and the Heritage of Mission” at the conference “Räume öffnen. Missionssammlungen vermitteln mit künstlerischen Methoden” of the Katholische Hochschule in […]

Lecture and film by Behnaz Mirzai on African Slavery in Iran (11.12.25, 4-6pm)

The implicated researcher: Shifting positionalities in collaborative research and restitution projects How did the Iranian Constitutional Revolution and the Ottoman Tanzimat reforms reshape slavery across the Indian Ocean, Mediterranean, and Middle East?This talk by Behnaz Mirzai, Professor of Middle Eastern History at Brock University, examines the shared origins of Qajar Iran and the Ottoman Empire—neighboring […]

The Implicated Researcher: A Talk by Julia Binter at the ifeas in Mainz (02.12.25)

The implicated researcher: Shifting positionalities in collaborative research and restitution projects On 2 December 2025, Jun-Prof. Dr. Julia Binter will give a talk titled “The implicated researcher: Shifting positionalities in collaborative research and restitution projects.”Taking the collaborative research, exhibition and restitution project ‘Confronting Colonial Pasts, Envisioning Creative Futures’ on the collections from Namibia at the […]

Camouflage. Disguise as an Act of Resistance. Artist Talk with Cheryl McIntosh (28.11.2025)

©Julia Binter, 2025

Artist Talk with Cheryl McIntosh

At the center of this Artistic Talk is the portrait of “Nanny – Queen of the Maroons”. According to historical sources, Nanny was born in present-day Ghana, enslaved, and forcibly taken to Jamaica, where she became a leader of the Maroons—communities of formerly enslaved people who had liberated themselves. This participatory talk uses the idea of camouflage as a point of departure to explore artistic strategies for engaging with the past, considering dress as a form of resistance, and giving voice to marginalized people.

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